Armenia’s 7th-century Amberd shortlisted for Europe’s 7 Most Endangered heritage sites project ARMENPRESS
Whether addressing migration, identity issues, or acute political and social backgrounds, the main starting point seems to be freeing oneself from concentrated information all at once. #besouznadze #galleryartbeat #artbeat 4/4 pic.twitter.com/VoQEh1tDnd
— Notes from Georgia/South Caucasus (Hälbig, Ralph) (@SouthCaucasus) January 30, 2024
This creation appears to be mediated and approaches the absurd forms of existence. However, it is actually preceded by a number of complex subtexts and emotional backgrounds that define its creative context. 3/4 pic.twitter.com/LCtqggXo4J
— Notes from Georgia/South Caucasus (Hälbig, Ralph) (@SouthCaucasus) January 30, 2024
On the works of Beso Uznadze, the relationship between existence and absence is manifested in a deep and complex ontology. The artist creates an expansive psychographic map where various states such as trauma, fear, frustration, alienation, or impurity are described. 2/4 pic.twitter.com/MwXBAmnEwH
— Notes from Georgia/South Caucasus (Hälbig, Ralph) (@SouthCaucasus) January 30, 2024
Beso Uznadze’s solo exhibition ‘Tooth Decay in Paris’ at Gallery Artbeat has been extended until 11 February, 2024 so don’t miss this beautiful show with such wonderful paintings if in #Tbilisi! #GeorgianArt
Gallery Artbeat, 14 Pavle Ingorokva str., Tbilisi, Georgia 1/4 pic.twitter.com/vPCs7OOodr
— Notes from Georgia/South Caucasus (Hälbig, Ralph) (@SouthCaucasus) January 30, 2024
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