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In most Azerbaijani villages, riverbeds are used as dumping grounds for garbage


Waste problem in Azerbaijan

Last month, floodwaters in the Goychay region of Azerbaijan brought trash into the village of Garabaggal. This event was dubbed a “garbage flood” because waste accumulated over years in the mountain villages was mixed with the river’s waters.

The issue of waste collection and recycling in Azerbaijan is not new and is frequently discussed in the media and society.

In various regions and villages of the country, the problem is even more acute than in Baku. In most regions, there are no trash bins on the streets, or they are placed very rarely, and there are no facilities for processing household waste. In the villages, waste is mainly collected in open areas near the riverbed or in the forest and is burned.

The village of Vendam in the Gabala district is one such place. Household waste has been dumped for many years into the Vendamchay River (locals also call it Garachay, which translates to “black river”), which flows through the village.

“Do not throw trash into the riverbed!”

This warning is posted on a board nailed to a tree where the road turns toward the riverbed. However, just 50 meters away, the smell of garbage hits you.

Although the water of the Vendamchay River (which is 36 kilometers long) is primarily used for irrigation, villagers also use it for household purposes. However, it remains unclear how safe and suitable it is for use.

Villagers report that they have repeatedly contacted local executive authorities with written requests for garbage removal. Despite this, the waste continues to accumulate.

I personally have never seen anyone from the municipality or any local leaders around here. When we complain, they tell us they can’t come. One of the river’s tributaries runs right by our houses, and it’s piled with trash. What else needs to happen for them to find a way to come here? In some places, they clean up for money, but they don’t do it here because they say the area is too remote. We have to hire a truck and clean up the trash ourselves,” says village resident Mirvari Hasanova.

According to Hasanova, who has lived in Vendam for nearly 30 years, no project to address the waste problem in the village has ever been implemented. While she is against dumping waste into the river, she doesn’t believe it’s fair to solely blame the villagers.

This is a rural area; some people can afford to pay the monthly garbage collection fee, while others cannot. And when there isn’t enough money collected, we can’t hire a truck. Now, let’s blame these people for throwing their trash anywhere? But what should we do?” complains Hasanova.

Municipality head: “We don’t receive a budget for garbage collection”

According to a decision by the Cabinet of Ministers of Azerbaijan, adopted in 2005 to implement the Law “On Waste,” the responsibility for household waste collection lies with the municipal services departments of local executive authorities. However, in practice, this work falls on local municipalities in rural areas far from the center.

Municipalities attempt to address the issue by collecting and burning waste or burying it in large pits.

The municipality doesn’t have large funds. We aren’t allocated an additional budget for garbage collection. We cover transportation costs from the money we receive from residents based on contracts with them. Each family can use the service by paying 5 manats [about $3] per month. We created a landfill on the municipality’s territory, where we dump and burn the waste, among other things. I’m not saying we’re working at a European level, but we’re doing everything we can,” says the head of the Vendam village municipality, Asif Gashimov.

Residents are unhappy that they have to pay for garbage collection due to the lack of municipal budget allocations.

Why should we have to pay extra for garbage collection? And what good does it do if they just burn it? Villagers can do that themselves. What about the ash from the burned waste, the toxins released into the air? These problems need to be solved, not expect money from us,” says a Vendam resident who wished to remain anonymous.

“This situation exists in all regions”

What is happening around the Vendam River is just a small part of the overall problem, says environmentalist Sadig Hasanov:

According to statistics, our country produces 3.5 million tons of household waste annually, which means about 400 kilograms of garbage per person. There are countries where this figure is higher than ours. For example, in the United States, the amount of waste per capita is over 700 kilograms. But in developed countries like America, Canada, China, etc., household waste is used as raw material for recycling. This forms the basis of their economies. Overall, recyclable waste accounts for 60 percent.

In Azerbaijan, the only facility designed for recycling and utilizing household waste is located in Balakhani (on the outskirts of Baku). Here, waste is sorted and incinerated. Some useful waste is sent for recycling, but this accounts for only 20 percent of the total amount of household waste,” says environmentalist Sadig Hasanov.

He adds that burning or burying household waste is harmful both to the environment and to the people living there.

When waste is burned, toxic substances such as sulfur, methane, carbon dioxide, etc., are released into the air. These not only have a negative impact on living organisms but are also considered contributors to global warming.

Or consider burying waste in the ground. Sometimes it takes 500 years for plastic waste to decompose in the soil. Moreover, recyclable waste like metal and glass is buried along with harmful waste that directly poisons nature. It’s unfortunate that there are no significant changes in the government’s household waste policy,” says the environmentalist.


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South Caucasus News

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Artbox is accelerating 16 creative businesses in Armenia


Creative Armenia is thrilled to introduce the 16 creative businesses who have begun their acceleration journeys. Artbox Accelerator Program offers these startups an unparalleled opportunity to grow their businesses and make a significant impact in creative industries. 

From the beginning of June to the end of July 2024, over eight weeks, the selected teams will participate in weekly workshops and individual consultations as well as carry out targeted assignments designed to accelerate their growth. The lineup of mentors includes experts and successful entrepreneurs with backgrounds in leading companies and institutions such as LEGO®, Parsons, Burberry and others, joining the program from around the globe, including Armenia, France, Denmark, the Netherlands and beyond. 

Artbox Accelerator will lead creative businesses in improving their customer engagement, increasing sales, achieving sustainability and more. Upon program completion, up to seven top-performing businesses will be selected to receive grants of up to €30,000 each, enabling them to implement business growth plans developed during Artbox.

The 16 creative businesses selected for Artbox Accelerator are:

  • AAA Audio (Music Production)

    An Armenian music tech company that specializes in the creation of virtual instruments and the provision of remote recording services.
  • Actual Art (Publishing House)

    An Armenian cultural organization that specializes in promoting artistic excellence and fostering meaningful cultural dialogue through comprehensive publications.
  • Amara (Music Publishing)

    A leading platform in the music publishing industry, helping artists reach millions of users by submitting their products to online stores such as Spotify, Apple Music, Deezer and over 40 other platforms across all continents.
  • Avetis (Fashion Brand)

    A leather craft studio that handcrafts minimalist, unique leather pieces designed to last a lifetime.
  • Bars Media (Film Production)

    Documentary film production studio that focuses on human-centric and impactful narratives.
  • Cyber Folk (Music Education)

    A music education platform that provides offline and online courses in music production, DJ-ing and live performance.
  • Film Locations: Armenia (Film Production)

    A business that places prominent Armenian locations into the music videos and ads of the best Western artists and brands.
  • HAYFILM CLUSTER (Art Space)

    A multifunctional hub for creative arts that fosters local talent in music, visual arts and sustainable production, with a steadfast commitment to inclusivity, innovation and sustainability at its core.
  • Library for Architecture (Art Space)

    A multifunctional space that serves as an independent platform for discussions on architecture theory, presents new ideas and operates a studio for creating models (mock-ups).
  • Man In Town (Fashion Brand)

    Cool menswear proudly made in Armenia that offers modern casual clothing and accessories for men, blending traditional styles with contemporary trends and the spirit of Yerevan, catering to urban dwellers with high creative and commercial potential.
  • Mihr Theatre (Performing Arts)

    A theater that reveals the philosophical depth of every movement by unifying painting, psychology, dance, philosophy and drama arts.
  • Moov Studio (Animation Studio)

    An animation studio that focuses on motion design and creates explainer commercials.
  • Narine P (Arts and Crafts)

    A business that specializes in crafting cross stones and Armenian patterns on tuff stone, offering tourist visits and master classes, and producing tuff-based games like Khaghkar.
  • Popok Animation (Animation Studio)

    A studio that transitions from providing computer graphics services to developing and producing its own animation series and films, aiming to revitalize Armenian animation and represent Armenia internationally.
  • Proper Studios (Creative Agency)

    Based in Yerevan and London, it provides high-impact design and persuasive communications products to help clients measurably reach their objectives.
  • VINTABILIA (Fashion Brand)

    An upcycled sustainable clothing brand that focuses on redefining ethical fashion production through global exploration and dedication to sustainability, quality and creativity.

“We are excited to accelerate this lineup of 16 versatile creative startups. Championing cultural ventures with exponential commercial potential and providing funding for their growth, we redefine the cultural landscape in Armenia, bringing innovation, higher employment in the creative sector and sustainable growth,” said Anush Ter-Khachatryan, director of programs at Creative Armenia.

Inspired by innovative models in business and tech, Artbox is a reinvention of the incubator and accelerator models for the art world — a dynamic entrepreneurial system that supports individuals, projects and institutions across disciplines with potential for success. Through a set of signature cutting-edge programs, Artbox develops commercial viability, audience growth and investable creative products.

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Guest Contributor

Guest contributions to the Armenian Weekly are informative articles or press releases written and submitted by members of the community.

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NAASR to host hybrid talk by Samson Avetian on “Securing Armenia’s Economic Outlook”


Samson Avetian

The National Association for Armenian Studies and Research (NAASR) will host a hybrid talk by Samson Avetian, “Securing Armenia’s Economic Outlook: The Role of a Strong Tech Sector,” on Thursday, June 20, 2024, at 7:00 p.m. Eastern / 4:00 p.m. Pacific.  

Members of the community are invited to attend this program, which is co-sponsored by First Armenian Church of Belmont, MA, and taking place under the aegis of the NAASR/Calouste Gulbenkian Foundation Lecture Series on Contemporary Armenian Issues. The event is being held in association with American University of Armenia’s Entrepreneurship and Product Innovation Center (AUA EPIC), Angel Investor Club of Armenia (AICA), ArmTech Boston and eqwefy.  A reception will follow the program.

The webinar will be accessible live on Zoom (registration required) and on NAASR’s YouTube Channel.

Avetian will explore Armenia’s economic prospects and the critical role that technology, sciences and innovation play to ensure security and sustainability. He will review the progress made, the current dynamics and the outlook for the Armenian technology industry. The Armenian Tech Economy has recently witnessed remarkable growth driven by global technology companies including Microsoft, Nvidia, Synopsys as well as by innovative startups such as ServiceTitan, Picsart, Codesignal and others.

Avetian, a graduate of Harvard Business School, Gothenburg School of Business and Stockholm University, is the author of Armenia’s Economy: The Next 25 Years. He is the CEO of eqwefy, a university research-born initiative, which has been supported by AUA and the ICMPD/European Union, and the co-founder of Angel Investor Club of Armenia. Avetian also contributes to outlets such as Civilnet, EVN Report, How2B, Radio 106.5, Re:Arrange, Forbes Armenia and Benzinga, among others. An invited professor at AUA since 2015, Avetian repatriated to Armenia in 2010.

For more information contact NAASR at hq@naasr.org.

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NAASR

NAASR

Founded in 1955, NAASR is one of the world’s leading resources for advancing Armenian Studies, supporting scholars, and building a global community to preserve and enrich Armenian culture, history, and identity for future generations.

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Ireland’s Armenian memorial a pleasant surprise


On a recent visit to Ireland, I decided to visit the popular Christ Church Cathedral in Dublin. I was told there was an Armenian Genocide Memorial erected there nearly a decade ago, and I was excited to see it. 

The monument was easy to find. The cross stone (khachkar) was dedicated by Primate of the Armenian Apostolic Church of the UK and Ireland Bishop Hovakim Manukyan on December 5, 2015, according to the Armenian National Institute. It was erected and consecrated in the Peace Garden of the cathedral in honor of the 100th anniversary of the Armenian Genocide.

The monument is beautiful with incredibly detailed artwork and was designed by Aram Hakhumyan, who lives in Ireland. It features a Celtic and an Armenian cross made from volcanic stone and includes many Irish and Armenian details, such as shamrocks and grapes. 

Click to view slideshow.

On April 30, 2023, there was a gathering at the monument for the 108th anniversary of the Armenian Genocide. The commemoration took place during the Choral Evensong, an evening church service, which was sung by the Cathedral Choir. The students of St. Hripsime Armenian Sunday School in Dublin recited Armenian poetry. Varazdat Khachatryan played the piano, and Aydah Arshagian sang the hymn of the martyrs of the Genocide.

I’m not surprised the people of Ireland have honored the Armenians in this way. Irish citizens understand oppression from their own history and appear to have genuine empathy for others who have endured similar struggles. Most recently, many people in Ireland have protested for the rights of Palestinians in Gaza who are going through extreme hardship and famine. 

I found an interesting bit of trivia that shows how the Irish and Armenians are alike in regard to their monuments. According to writer Narine Mkrtchyan in an article published in 2018 titled “Armenia-Ireland: A Train from Past to Future,” Armenia and Ireland are the only two nations to have adopted the Christian symbol of the cross stone as a monument. The cross stone is a “peculiar momentum of monumental art in the Armenian Highlands. The cross symbolizes the crucifixion of Christ. In 2010 Armenian cross-stones art Symbolism and Craftsmanship of Khachkars was included in the famous list of non-material cultural heritage of UNESCO,” according to Mkrtchyan. 

Armenian Genocide commemoration in Dublin (Photo: United Diocese of Dublin and Glendalough, April 30, 2023)

The Irish have also been dedicated journalists of the truth. One of the few newspapers to suggest that a massacre was happening in 1915 was the Irish Times. Ohan Yergainharsian, the Honorary Consul of Armenia to Ireland, whose grandfather was the only survivor of seven brothers and four sisters from Erzurum, compiled a series of Irish Times articles from 1915 reporting on the Genocide.

Ireland also has a small but growing Armenian community, with estimates of up to 500 Armenians in Dublin, Cork, Limerick, Galway and county Clare. The majority of Irish Armenians live in and around Dublin. There are even some living in Northern Ireland. 

On a personal level, as someone with Armenian ancestry, I have to admit being emotionally moved by the kind and important historical gesture by the Irish church. The time and effort put into the monument was clearly done with a passion for humanity and freedom.

If you happen to be in Dublin and would like to visit the memorial, it’s located on the grounds of Christ Church Cathedral, Christchurch Place, Wood Quay, Dublin 8.

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Stephen Emirzian

Stephen Emirzian

Stephen Emirzian is a half Armenian and half Irish writer from Collinsville, Connecticut. He recently celebrated his 60th birthday in Ireland.

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Azerbaijani, German FMs discuss post-conflict situation in South Caucasus – azərbaycan24


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