Day: February 28, 2024

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The pact approved by House of Representatives and Senate leaders would pave the way for votes on a stopgap funding bill to keep the government operating normally through newly set March 8 and March 22 deadlines, giving lawmakers time to examine and debate the full-year funding bills. 

The temporary measure will be “voted on by the House and Senate this week,” said the joint statement by House Speaker Mike Johnson, Senate Majority Leader Chuck Schumer, Senate Republican leader Mitch McConnell, House Democratic leader Hakeem Jeffries and the leaders of the two chambers’ appropriations panels. 

Republican Representative Kevin Hern told reporters the temporary funding bill, which would be the fourth of the fiscal year that began last Oct. 1, would be put to a House vote on Thursday. 

If it were to fail, it would bring the federal government to the brink of partial shutdowns early Saturday. 

Both parties’ leaders will now work on explaining the deal to their rank-and-file with the goal of persuading enough of them to back the arrangement. 

The deal would put six of the 12 funding bills on a path to passage by March 8 with the remainder by March 22.

USC Dornsife Institute of Armenian Studies and USC Department of Slavic Languages and Literatures co-organized a groundbreaking three-day conference at the USC School of Cinematic Arts about legendary filmmaker and visionary Sergei Parajanov in honor of what would have been his 100th birthday. Titled “Parajanov at One Hundred: Chimeras of Nation, Form, and Being,” the centennial conference examined the myriad border crossings and hybridities that characterize Parajanov’s life and oeuvre. 

Leading scholars from around the world dove deep into Parajanov’s films, art, and legacy, as well as experiences of Soviet-era repression. In addition to several keynote addresses, panels featured themes on “Crossings in Time and Space,” “Presence and Absence,” “Sensory Engagement,” “Politics and Violence,” and “Performance and Performativity.” Discussions ranged from the very practical concerns related to the restoration and preservation of his work to nuanced and thorough examinations of his films and art from various disciplines and perspectives. 

Shushan Karapetian and Colleen McQuillen opening the conference

“It is no coincidence that this first-of-its-kind conference took place at USC, which houses arguably the best film school in the country, an Institute of Armenian Studies that has a unique contemporary temporal focus, and a Slavic Languages and Literatures Department, which features phenomenal scholars on the Soviet and post-Soviet experience. We’re excited that we were able to deliver an engaging conference that brought so many layers of our community together,” stated Dr. Shushan Karapetian, Director of the USC Dornsife Institute of Armenian Studies. 

Stretching the boundaries of the traditional academic conference, “Parajanov at One Hundred: Chimeras of Nation, Form, and Being” included a hat-making workshop for panelists, deep dialogue about contemporary research on the filmmaker and his films, an exhibit of rare photos of Parajanov from the Parajanov Museum in Armenia, and standing-room-only film screenings. 

“Over the course of these three days, scholars, experts, and film lovers gathered to celebrate and examine the innovative work of filmmaker and artist Sergei Parajanov. We are grateful for the support and enthusiasm of our partners, which enabled us to host this conference that generated rich insights into the lasting value of Parajanov’s legacy,” stated Dr. Colleen McQuillen, chair of USC’s Department of Slavic Languages and Literatures. 

Conference participants especially enjoyed the film screenings with expert introductions and thoughtful discussions. Included in the screening line-up were the recently restored “Parajanov Triptych: The Arabesques on the Pirosmani Theme,” “Kyiv Frescoes,” and “Hakob Hovnatanyan,” his best-known work “The Color of Pomegranates,” and his final film “Ashik Kerib.” Additionally, a rarely seen short documentary by Parajanov’s close friend Mikhail Vartanov, titled “The Color of Armenian Land,” which features Martiros Saryan, Minas Avetisyan, and Arto Tchakmakchian among others, gave a rare behind-the-scenes look into the making of “The Color of Pomegranates.”

The conference was co-sponsored by USC School of Cinematic Arts, USC Levan Institute for the Humanities, USC Department of Art History, USC Dornsife Divisional Dean for the Humanities, USC Dornsife Divisional Dean for the Social Sciences, USC Department of Political Science and International Relations, USC Center for International Studies, USC Cinema and Media Studies Division, USC Department of Comparative Literature, National Association for Armenian Studies Research, Armenian Film Society, and Georgian National Film Center.